Amsterdam North is rapidly building in to a varied and attractive region of Amsterdam. In a special area in the center of this neighbourhood, Houben & Van Mierlo Architecten have made the restoration of two previous ‘potato barns’in to contemporary residential qualities for just two people, including an in-house photo facility for the popular photography couple Scheltens & Abbenes.
One barn dates back once again to the Second Earth Conflict and was created using cross structure methods; the next was included in the sixties and built as a steel structure with wooden floors and a cement rock facade. In respect with the plan for the redevelopment and the restoration of the land and buildings, many old extensions were demolished and the existing interior fully stripped. Adhering to a innovative plan, the key areas were re-formatted into large, loft-like residing and working spaces.
In the layout of the areas, the initial constructions of the barns have kept visible. With the new plastered concrete screed ground, they determine the basic figure of these interiors. Additionally, the conclusion is simple yet stylishly designed and noticed, wherein the traits of a powerful professional past get submit hand with a modernist interior of artwork and style fittings.
Among the included clients is the photography pair Scheltens & Abbenes. They make equally autonomous benefit cultural institutions and commissioned work for a variety of international organizations, in some sort of ranging from solution design to fashion. The special end of the interior of their residential house and studio was realized in venture with several of their customers, such as for example Delta Mild, Farrow & Basketball, Scholten & Baijings and Muller Van Severen. The utilization of fixtures and furniture, paint and wall tiles from these ‘lovers’with a simple yet innovative gentle and colour scheme allows the interior an extra dimension.
As well as the existing constructions, the effective custom made top opportunities, steps and kitchens, and the furnishings with particular goods and autonomous function by the photographers themselves, give this interior a unique quality and convert it into a really ‘gesamtkunstwerk ‘.
The first, fresh constructions of the barns have stayed visible. These constructions include a steel design; the roof and first ground in present wood boards; outside walls in cement bricks. Active and new act opportunities developed with a mix of wooden window structures and industrial-like steel doors. Together with the new plastered metalstud walls and a plastered cement-screed ground, these determine the cornerstone identity of these interiors.
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